Pentomino – Gruppenausstellung/group show
24. Oktober 2015 – 02. Januar 2016 // Eröffnung: 24. Oktober 18.00 Uhr


Ein Raum voller Grafik. 41 Künstler auf nur 18 Meter Wandfläche. Ein Puzzlespiel der verschiedenen druckgrafischen Techniken – Radierungen, Holzschnitte, Siebdrucke, Linolschnitte und Lithografien dicht an dicht neben- über- und untereinander. Rahmen an Rahmen. Kunst statt Wand.

Die Zeitgenössische Druckgrafik bekommt die Fläche, die ihr zusteht – jede!

A room full of printmakings. 41 artists on 18 meters of wall. A puzzle of different  techniques – etchings, woodcuts, silkscreens, linocuts and lithographs transferred tightly packed next to each other. Frame to frame. Art instead of wall.

The Contemporary Printmaking gets the space it deserves – all!

Beteiligte Künstler/participating artists:

Art N More//Benjamin Badock//Franca Bartholomäi// Tilo Baumgärtel//Blexbolex//Christian Brandl//Peter Busch//Benjamin Dittrich//Tom Fabritius//Christoph Feist//Sebastian Gögel//Henriette Grahnert//Sten Gutglück//Alexander Gutsche//Paule Hammer//Franziska Holstein//Katharina Immekus//Gabriela Jolowicz//Annika Kleist//Axel Krause//Rosa Loy//Maribel Mas//Stephanie Marx//Bastian Muhr//Sebastian Nebe//Maria Ondrej//Vlado Ondrej//Jirka Pfahl//Jochen Plogsties//Claudia Rößger//Sebastian Rug//Christoph Ruckhäberle//Moritz Schleime//Cindy Schmiedichen//Anija Seedler//Sebastian Speckmann//Stefan Stößel//Anya Triestram//Steve Viezens//Matthias Weischer//Georg Weißbach


Christoph Ruckhäberle – Kalif Storch
12. September. – 10. Oktober. 2015 // Eröffnung/Opening: 12.09.2015 – 11.00 Uhr
Großer Herbstrundgang // Autumn gallery tour
12./13. September // 11.00 – 20.00 Uhr/11.00 – 18.00 Uhr

Verlängert bis zum 16.10.15!

Christoph Ruckhäberle, untitled, 2015, 70x50cm, Aquatintaradierung

Christoph Ruckhäberle, untitled, 2015, 70x50cm, Aquatintaradierung

Wir zeigen Radierungen, Linolschnitte und Lithografien von Christoph Ruckhäberle aus den Jahren 2006 – 2015 in einer furiosen Einzelausstellung.

Christoph Ruckhäberle, geboren 1972 in Pfaffenhofen, hat zwischen 1991 und 1992 am Califormia Institute of Arts, Valencia und im Anschluss daran an der Hochschule für Graphik und Buchkunst in Leipzig studiert, wo er Meisterschüler bei Arno Rink war. Seine Arbeiten waren international in zahlreichen Ausstellungen vertreten, so unter anderem im Museo Nacional de la Estampa, Mexico City (2012), im Migros Museum, Zürich (2009), bei der Manifesta 7 (2008), „Life After Death“, Frye Art Museum, Seattle (2007) und „Triumph of Painting“, Saatchi Gallery, London (2006). Christoph Ruckhäberle lebt und arbeitet in Leipzig und betreibt dort den LUBOK Verlag und das Luru Kino.

Christoph Ruckhäberle was born in 1972 in Pfaffenhofen. He studied between 1991 and 1992 at the California Institute of Arts Valencia, and graduated in his Master studies in Leipzig under Prof. Arno Rink. His work is part of the permanent collections of MoMA, New York and the Migros Museum, Zurich. Past exhibitions include Museo Nacional de la Estampa, Mexico City (2012), Migros Museum, Zurich (2009), Manifesta 7 (2008), Frye Art Museum, Seattle (2007) and „Triumph of Painting“, Saatchi Gallery, London (2006). He lives and works in Leipzig where he runs LUBOK, a small publishing house and co-runs a movie theater.


Gabriela Jolowicz – Disorganiser
01.08. – 05.09.2015
Opening: 01.08.2015 – 18.00

Gabriela Jolowicz, disorganiser, 2015, 100x78,9cm


Next to almost still life images with laptop or Ipod you will find dense genre-like sceneries of metropolitan life often set in interiors such as music clubs or pool bars. The environment the artist lives in and the situations she experiences are captured in the two-dimensional woodcut within the confinements of the black and white technique. Jolowicz freezes an already fading afterimage of reality in a disjointed and kaleidoscopic manner.

Nevertheless the mode of depiction appears to be realistic on first impression. On second glimpse the sobriety of the sceneries is broken up through the scattered picture references and unique compositions. Great richness of detail and a pronounced variety of structures bring about a confusing and irritating simultaneity of forms. The structures, executed in either acutely delicate or crude cuts, are heightened in a playful employment of proportions and through perspective distortion, readable as decorative graphic patterns or elements suggestive of three-dimensional depth. In this context, Herbert Eichhorn (Städtisches Kunstmuseum Spendhaus Reutlingen) alludes to “a veritable horror vacui and a desire to break open the wooden surface” and refers to the artist’s deliberate quotation of printmaking history.

Autobiographical notes and the archaeology of everyday life deliver the basic structure for each woodcut. The tranquillity of the settings is disrupted by scattered picture references, the singularity of compositions and an abundance of detail. The pictures often resemble Frankenstein’s Monster as they are sewn together out of heterogenic materials. This impression is heightened by the various styles and patterns used to describe the pictorial elements. Still, the artist tries to keep the illusion of actually existing scenes and scenery alive.
Text: Emmanuel Post, 2012



Vertraute Gesellschaft – Groupshow –  May 1, 2015 July 2015

The exhibition “Vertraute Gesellschaft” shows original contemporary printmaking all sorts and sizes. Thaler Originalgrafik, Spinnereigelände Halle 3.

Opening times:
Wednesday – Friday 13.00  17.00
Saturdays from 11.00  15.00
and by appointment



ART N MORE, Franca Bartholomäi, Tilo Baumgärtel, Christian Brandl, Peter Busch, Benjamin Dittrich, Christoph Feist, Henriette Grahnert, Sebastian Gögel, Sten Gutglück, Alexander Gutsche, Paule Hammer, Franziska Holstein, Katharina Immekus, Gabriela Jolowicz, Annika Kleist, Axel Krause, Rosa Loy, Stephanie Marx, Bastian Muhr, Sebastian Nebe, Maria Ondrej, Vlado Ondrej, Jirka Pfahl, Claudia Rößger, Christoph Ruckhäberle, Cindy Schmiedichen, Sebastian Speckmann, Stefan Stößel, Anya Triestram, Steve Viezens, Matthias Weischer, Georg Weißbach

"Vertraute Gesellschaft"

Ausstellungsansicht "Vetraute Gesellschaft"

Exhibition view “Vetraute Gesellschaft”

"Vetraute Gesellschaft"

“Vetraute Gesellschaft”